People who came late into the current music world have created the most memorable works, and many of them have moved on to become well known. All sorts of people, young and old, are creating the most pleasing sounds, age being ethereal in a world ruled by YouTube and online sites. Many were waylaid and came back to music, while others have come into the picture quite late.
A musician who took the longer road and found himself entering the world of recorded music is Dean Maser. He made the rediscovery one night during the open mic of a hootenanny and went on to record Delphinium CD. Those lucky enough to know him listen are in for a treat.
Maser has wandered around a bit, and he is entirely within the tradition of American blues minstrelsy, with many greats coming before him. There are many masters, and Dylan has been lately recognized with a Nobel in literature, a conundrum for all American music makers. Maser, though, has skipped into a unique space with a the visual and rural Gothic perspective in this album.
Delphinium continues his journey into a broad landscape, filled with the sere and open vistas of the Midwest and the spiritual rigors of the American West. The title of this new work was taken from the flower, which is considered a late bloomer, coming round in the high heat of summer. It has a broad geographical range, growing on meadows on the plain as well as alpine valleys.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The musical artist also blogs, and this one is named The Good Ancestor, a deep reflection on influences and musical roots. He has traced the deepest roots for his art. As an artist, he has thus become awake from all these years of study, something his first album expresses well.
Maser also plays with a blues band, experienced musicians like himself and they have eclectically influenced new album coming. They call themselves SoulShine, and the album wander the discography of the idiom, from BB King to ZZ Top, from Cash to Dylan, Hendrix and Clapton. Blues fanatics should watch out for the work of this trio.
From Minneapolis to Boston, he went into studios with players from as far as North Dakota and Africa. The stand he is making is for all the things he has learned and unlearned which define his auteur. But then, you can see how all things Blues are there in the album, dating to the first time the first Blues song was played to its patron Old Man River.
Titles in the album include Strong Love, Heroes, Heart Be True and One Time. The list also features the title track, A Little Older and The 1 Second Miracle, which are excellent takes on the tradition. And De Blues is nothing if not traditional, about all things Christian and Biblical inspiration on American soil, about feelings so vast and deep that only tears can express them.
A musician who took the longer road and found himself entering the world of recorded music is Dean Maser. He made the rediscovery one night during the open mic of a hootenanny and went on to record Delphinium CD. Those lucky enough to know him listen are in for a treat.
Maser has wandered around a bit, and he is entirely within the tradition of American blues minstrelsy, with many greats coming before him. There are many masters, and Dylan has been lately recognized with a Nobel in literature, a conundrum for all American music makers. Maser, though, has skipped into a unique space with a the visual and rural Gothic perspective in this album.
Delphinium continues his journey into a broad landscape, filled with the sere and open vistas of the Midwest and the spiritual rigors of the American West. The title of this new work was taken from the flower, which is considered a late bloomer, coming round in the high heat of summer. It has a broad geographical range, growing on meadows on the plain as well as alpine valleys.
His family belonged to a church, and it was the kind of music he made with guitars and ukeleles, and Kumbuyah is like a bad dream to him. All the years spent wandering the music world made the affliction apparent, and he has now lived that down and proceeded to discovering real spirituality. He says how high school made him drive for the works with a 3 song record that no one know will ever hear.
The musical artist also blogs, and this one is named The Good Ancestor, a deep reflection on influences and musical roots. He has traced the deepest roots for his art. As an artist, he has thus become awake from all these years of study, something his first album expresses well.
Maser also plays with a blues band, experienced musicians like himself and they have eclectically influenced new album coming. They call themselves SoulShine, and the album wander the discography of the idiom, from BB King to ZZ Top, from Cash to Dylan, Hendrix and Clapton. Blues fanatics should watch out for the work of this trio.
From Minneapolis to Boston, he went into studios with players from as far as North Dakota and Africa. The stand he is making is for all the things he has learned and unlearned which define his auteur. But then, you can see how all things Blues are there in the album, dating to the first time the first Blues song was played to its patron Old Man River.
Titles in the album include Strong Love, Heroes, Heart Be True and One Time. The list also features the title track, A Little Older and The 1 Second Miracle, which are excellent takes on the tradition. And De Blues is nothing if not traditional, about all things Christian and Biblical inspiration on American soil, about feelings so vast and deep that only tears can express them.
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