Phoenix isn't usually among those cities one thinks when one lists the nation's capitals of culture. This is in spite of the city's sheer size, which has it ranked as fourth biggest in the nation. As Arizonans increasingly partake of theatre Phoenix, the biggest city in the Southwest, begins to take its place among the more renowned culture centers.
Newer, Sunbelt cities, without deep histories compared to those North and East, have some real challenges in establishing themselves as true, whole, urban centers. Doing this is about a lot more than the egoistic goal of being as renowned as Boston or Philadelphia. These cities, so often first laid out as mere meshes of highways, need to become real communities, and developing live theatre is a great aid in building community.
Phoenix, AZ came of age during our modern era of freeways and TV. Both these commonalities of modernity, for different but dovetailing reasons, worked to retard the development of a vitalizing city life. Cities built on freeway grids lack old cities' energizing foot traffic, which offers human pleasures of strolling from place to place, and engaging fellow pedestrians and diners.
TV is perhaps still more of a poison to urban culture, as it offers the numbing temptation of entertainment without so much as leaving the living room couch. Today whole generations might be savvy to quality drama on TV, but lack any notion of the thrill of live drama in front of hundreds of their fellows.
Responding to this challenge, Phoenix has cultivated a cultural center right where it belongs, in the heart of the city's downtown. The first pleasure one takes in is the architecture. It delights many whose night involves little more than taking a starlit stroll after dinner at one of downtown's many fine restaurants.
Some spaces provide world class popular entertainment, which adds sizzle to the downtown experience. The Orpheum focuses on popular, broadly loved performances, including Broadway musicals. The Comerica is a music hall and stage that entertains the public with the world's finest pop music and comedy stars.
Two treats of architecture are showcases for living drama. The Phoenix Theatre gives fresh dramas penned by the nation's best dramatists, as well as the most sophisticated new musicals. It provides classes in writing as well as acting for teenagers among a broad menu of community outreach projects to build a public appetite for drama.
The Arizona Theatre Company has its home in the lovely Herberger Theater Center, with another venue in Tucson. It too is committed to cultivating an appetite for drama, with outreach programs for school students and their teachers. Its program emphasizes popular but excellent fare, such as new thrillers and suspense drama, along with dramatic efforts from the finest of TV writers.
With so much sophisticated entertainment available, this desert is only a desert in its lacking water, not culture. More people are choosing to come downtown for dinner and a show, leaving the TV behind. One can always let the DVR recorder store TV fare for the some other time.
Newer, Sunbelt cities, without deep histories compared to those North and East, have some real challenges in establishing themselves as true, whole, urban centers. Doing this is about a lot more than the egoistic goal of being as renowned as Boston or Philadelphia. These cities, so often first laid out as mere meshes of highways, need to become real communities, and developing live theatre is a great aid in building community.
Phoenix, AZ came of age during our modern era of freeways and TV. Both these commonalities of modernity, for different but dovetailing reasons, worked to retard the development of a vitalizing city life. Cities built on freeway grids lack old cities' energizing foot traffic, which offers human pleasures of strolling from place to place, and engaging fellow pedestrians and diners.
TV is perhaps still more of a poison to urban culture, as it offers the numbing temptation of entertainment without so much as leaving the living room couch. Today whole generations might be savvy to quality drama on TV, but lack any notion of the thrill of live drama in front of hundreds of their fellows.
Responding to this challenge, Phoenix has cultivated a cultural center right where it belongs, in the heart of the city's downtown. The first pleasure one takes in is the architecture. It delights many whose night involves little more than taking a starlit stroll after dinner at one of downtown's many fine restaurants.
Some spaces provide world class popular entertainment, which adds sizzle to the downtown experience. The Orpheum focuses on popular, broadly loved performances, including Broadway musicals. The Comerica is a music hall and stage that entertains the public with the world's finest pop music and comedy stars.
Two treats of architecture are showcases for living drama. The Phoenix Theatre gives fresh dramas penned by the nation's best dramatists, as well as the most sophisticated new musicals. It provides classes in writing as well as acting for teenagers among a broad menu of community outreach projects to build a public appetite for drama.
The Arizona Theatre Company has its home in the lovely Herberger Theater Center, with another venue in Tucson. It too is committed to cultivating an appetite for drama, with outreach programs for school students and their teachers. Its program emphasizes popular but excellent fare, such as new thrillers and suspense drama, along with dramatic efforts from the finest of TV writers.
With so much sophisticated entertainment available, this desert is only a desert in its lacking water, not culture. More people are choosing to come downtown for dinner and a show, leaving the TV behind. One can always let the DVR recorder store TV fare for the some other time.
About the Author:
If you want to be a part of a great children's local theatre Phoenix residents can come to Valley Youth Theatre. To volunteer or purchase season tickets, visit our home on the Web at http://www.vyt.com today.