At the same capacity, the price of tools (consoles, players, recorders, devices, etc.) is practically tenfold in less than a decade. But the musician is faced with the requirement to also take the sound-engineer, not always with the necessary education. The sound-engineer has also become, therefore, musician, or operator specializing in IT management tools used (church sound system design).
Gradually, the devices have offered new processor means recorded or created sounds. The devices were first hardware and pride and reputation of recording studios, and with the advent of digital technology and specialized software, softwares became known as plug-ins. For some music, mostly using tools (or instruments) electronic loops, etc Midi, the line between sounds recording and mixing becomes more blurred.
Technologically similar to microphones used in studio, the microphones for sounds systems meet the different signals to recipient. The consoles have a concert dedicated to large number of entries provided for microphones, advanced EQ sections, a large number of auxiliary buses, especially for consoles dedicated to returns. DJ oriented consoles have little input - and most stereo, simple adjustments, a smaller footprint, and for a long correction "RIAA" for turntables. In Public Address, the console is reduced to a minimum and sometimes integrated directly into amplifier.
Sometimes placed on each console output an equalizer that can correct the overall response ofn enclosure according to its intrinsic defects, acoustics of venue, frequencies causing Feedback, operators wishes, etc. These equalizers are mostly graphics but nothing prohibits the use of parametric. The filter separates the signal into different frequency bands distributable by specialist speakers. Filtering can active or passive:
The main role of soundengineer or soundengineer is to ensure that the public understood correctly. To this end, in addition to managing the volume, it must identify, correct or improve all acoustic phenomena inherent in its sounds systems or the natural acoustics of site, such as Feedback, Delay, spatial, restitution harmonics (spectral analysis of pink noise), etc.
Some big soundengineers can become producers (in), that is to say, interested in production. The soundengineer music is professional contact with artists fully committed to their art. It should at least know apprehend artistic situations sometimes delicate and crucial. Traditionally, the producer advises musicians on song structure, the way it should play them, the expected effect once a recorded song.
The so-called limiters "peaks" protect against the first risk, limiters "RMS" against the second. The two may be combined. Some manufacturers offer more advanced devices capable of estimating in real time the heating of coil and the cone excursion and will kick in at closer to its limits.
The first synthesizers lead to invention of concept of home studio. For the musician, it is a revolution: no need to go in an expensive studio recording, it can make himself his own experiences, his models and then, with the development of electronic tools and basic computer a few years later, his own records. The advent of digital audio station profoundly modifies the uses in recording media.
Gradually, the devices have offered new processor means recorded or created sounds. The devices were first hardware and pride and reputation of recording studios, and with the advent of digital technology and specialized software, softwares became known as plug-ins. For some music, mostly using tools (or instruments) electronic loops, etc Midi, the line between sounds recording and mixing becomes more blurred.
Technologically similar to microphones used in studio, the microphones for sounds systems meet the different signals to recipient. The consoles have a concert dedicated to large number of entries provided for microphones, advanced EQ sections, a large number of auxiliary buses, especially for consoles dedicated to returns. DJ oriented consoles have little input - and most stereo, simple adjustments, a smaller footprint, and for a long correction "RIAA" for turntables. In Public Address, the console is reduced to a minimum and sometimes integrated directly into amplifier.
Sometimes placed on each console output an equalizer that can correct the overall response ofn enclosure according to its intrinsic defects, acoustics of venue, frequencies causing Feedback, operators wishes, etc. These equalizers are mostly graphics but nothing prohibits the use of parametric. The filter separates the signal into different frequency bands distributable by specialist speakers. Filtering can active or passive:
The main role of soundengineer or soundengineer is to ensure that the public understood correctly. To this end, in addition to managing the volume, it must identify, correct or improve all acoustic phenomena inherent in its sounds systems or the natural acoustics of site, such as Feedback, Delay, spatial, restitution harmonics (spectral analysis of pink noise), etc.
Some big soundengineers can become producers (in), that is to say, interested in production. The soundengineer music is professional contact with artists fully committed to their art. It should at least know apprehend artistic situations sometimes delicate and crucial. Traditionally, the producer advises musicians on song structure, the way it should play them, the expected effect once a recorded song.
The so-called limiters "peaks" protect against the first risk, limiters "RMS" against the second. The two may be combined. Some manufacturers offer more advanced devices capable of estimating in real time the heating of coil and the cone excursion and will kick in at closer to its limits.
The first synthesizers lead to invention of concept of home studio. For the musician, it is a revolution: no need to go in an expensive studio recording, it can make himself his own experiences, his models and then, with the development of electronic tools and basic computer a few years later, his own records. The advent of digital audio station profoundly modifies the uses in recording media.
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