The sculptures is one of fine arts. Unlike paint, which creates a plan -a fictional space of two dimensions-, sculptures does a flat or three-dimensional relief exempt, using real space. The sculptor acts on different materials transformed by carving and modeling processes, which are traditional methods (aluminum wall sculpture).
Archaic statue was primarily religious. The temples are decorated with images of gods, their exploits and battles, and the figures were unrealistic. The Korai Kouros or are portraits of real people; put a smile on the faces were fictitious, facial gesture known in art world as "archaic smile." From this period include the Chief Dipilo, fragment of a colossal marble statue of sixth century BC, and the Head of ramps (c. 560 BC) later work presents a treatment closer to naturalism.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
The first manifestations sculptures dating back to Paleolithic, when the man cut all the flint percudint it against another stone; subsequently used engraving and stone relief and animal bones. 27,000 and 32,000 years ago are represented in a lush female stone human figures, in exaltation fertility; are the "prehistoric Venus" as the Venus of Willendorf and the Venus of Lespugue. During the Magdalenian period were used sticks and boosters with ornamental motifs. In Upper Paleolithic, the examples are more abundant carvings or engravings objects that evolved from a more primitive stage, decorations schematic, reaching figures representing adapted to structure of bone .
Notably commemorative sculptures such as the Column of Trajan (114), which narrates several battles in a continuous spiral that covers the entire surface of column, or the Equestrian Statue of Marcus Aurelius.
Giambologna is presented in its sculptures as The Rape ofSabine Women, the style of Mannerism. At the end of Cinquecento, sculptors tried lengthening the figures showing the proportions and put some artificial opposite -women and men, old age and youth, beauty and lletgesa- and the sinuous forms of (serpentinata), a sort of tumbling figures and sculptures.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
The Romanesque sculptures (XI-XIII) was service architecture; Many examples are to be found around the major pilgrimage routes such as the Way of Saint James. The sculptors tried various parts of churches -timpans, capitals and covers stories on topics biblics- with great realism . The Christ Pantocrator and the Judgement were the most iconographic themes represented.
Archaic statue was primarily religious. The temples are decorated with images of gods, their exploits and battles, and the figures were unrealistic. The Korai Kouros or are portraits of real people; put a smile on the faces were fictitious, facial gesture known in art world as "archaic smile." From this period include the Chief Dipilo, fragment of a colossal marble statue of sixth century BC, and the Head of ramps (c. 560 BC) later work presents a treatment closer to naturalism.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
The first manifestations sculptures dating back to Paleolithic, when the man cut all the flint percudint it against another stone; subsequently used engraving and stone relief and animal bones. 27,000 and 32,000 years ago are represented in a lush female stone human figures, in exaltation fertility; are the "prehistoric Venus" as the Venus of Willendorf and the Venus of Lespugue. During the Magdalenian period were used sticks and boosters with ornamental motifs. In Upper Paleolithic, the examples are more abundant carvings or engravings objects that evolved from a more primitive stage, decorations schematic, reaching figures representing adapted to structure of bone .
Notably commemorative sculptures such as the Column of Trajan (114), which narrates several battles in a continuous spiral that covers the entire surface of column, or the Equestrian Statue of Marcus Aurelius.
Giambologna is presented in its sculptures as The Rape ofSabine Women, the style of Mannerism. At the end of Cinquecento, sculptors tried lengthening the figures showing the proportions and put some artificial opposite -women and men, old age and youth, beauty and lletgesa- and the sinuous forms of (serpentinata), a sort of tumbling figures and sculptures.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
The Romanesque sculptures (XI-XIII) was service architecture; Many examples are to be found around the major pilgrimage routes such as the Way of Saint James. The sculptors tried various parts of churches -timpans, capitals and covers stories on topics biblics- with great realism . The Christ Pantocrator and the Judgement were the most iconographic themes represented.
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